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Marga Richter (1926-2020)

...there's something wild and very strange about it, something inimitable, compelling, personal, unforgettable; this music doesn't sound like anybody else's, and the musical intelligence – the way the composer's mind works – is likewise distinctive.”

Michael Redmond - critic for The Star-Ledger, Newark, NJ (December 08, 2009)

Artist Biography

Visual experiences and nature are the primary inspirations for Marga Richter's music. Sources as varied as the paintings of Georgia O'Keeffe, a New England winter scene and the exotic landscape of Tibet have all served to trigger the composer's creative responses.

 A daughter of American soprano Inez Chandler and granddaughter (on her father's side) of German composer/conductor Richard Richter, Marga Richter was born in Reedsburg, Wisconsin in 1926, and received her early musical training in Minneapolis, Minnesota. In 1943, the family moved - en masse - to New York so that she could enroll at the Juilliard School where she majored in composition with William Bergsma and Vincent Persichetti, and studied piano with Rosalyn Tureck, receiving a Master's Degree in 1951. While still in her twenties, a series of pieces commissioned by MGM Records brought national recognition.

 Over the years the Richter oeuvre has grown to include virtually every genre of composition: opera, solo, chamber, choral and orchestral works. Among her signature pieces are Blackberry Vines and Winter Fruit, an orchestral work evoking a Vermont winter; the Landscapes of the Mind series, three works - Landscapes of the Mind I, a piano concerto, Landscapes of the Mind II, for violin and piano, and Landscapes of the Mind III for piano, violin and cello - derived from Richter's response to two paintings by Georgia O'Keeffe (Sky Above Clouds II and Pelvis I); a 1988 work, Qhanri (snow mountain) for cello and piano, subtitled "Tibetan Variations," Richter's musical portrait of the landscape and people of that country; Lament for string orchestra, an enduring early piece that is often performed and has been recorded twice; and Riders to the Sea, a one act chamber opera.

 Richter's music has been played by more than 45 orchestras here and abroad, including the Minnesota Orchestra, the Milwaukee and Atlanta Symphonies, the London Philharmonic, the Civic Orchestra of Chicago and the Buffalo Philharmonic. Among the artists who have championed her music are Jessye Norman, Menahem Pressler, William Masselos, the late Natalie Hinderas, and Daniel Heifetz who included her Landscapes of the Mind II in his prize-winning Tchaikovsky Competition concert in Moscow. She has received grants, awards, and commissions from the National Endowment for the Arts, the Martha Baird Rockefeller Fund, the National Federation of Music Clubs, Meet-the-Composer and ASCAP. An accomplished pianist, she frequently performs her own compositions.

From Carl Fischer publishing website

Richter's music is published by Carl Fischer, G. Schirmer, Broude Brothers, Theodore Presser, Vivace and Shrewsbury Press*. She has received grants, commissions, awards and fellowships from private individuals and institutions, the National Endowment for the Arts, National Federation of Music Clubs, Martha Baird Rockefeller Fund, Meet The Composer and ASCAP.

*Shrewsbury Press is self-published work